Joseph Paris is a filmmaker. His work unfolds across two territories: documentary films, for cinema or television, and experimental cinema, which inhabits museums, and the performing arts.
An early pioneer in the use of free licenses in video art, he co-founded with other artists the Kassandre collective, which combines formal and legal experimentation. In 2014, he directed the documentary Naked War, in which he decodes the cinematographic grammar of the spectacular actions of Femen. The Flag, his second experimental and political documentary, was released in cinemas on October 30, 2024.
He worked on the series Exterminate All The Brutes directed by Raoul Peck for HBO, and directed with a group of actors Mourir gracieusement, 24 hours of improvised cinema streamed live on YouTube.
His experimental film practice also extends to the theatre: in 2025, the performance La lame et le pinceau presented at the Louvre Museum marks his fifth collaboration with theatre director Benjamin Lazar, following La Nuit des hiéroglyphes at the Institut de France, Heptaméron at the Théâtre des Bouffes du Nord, Maldoror at the Athénée, and the direction of the film The Forest of Masks, exhibited in 2022 at the Musée d'art moderne de Paris as part of the exhibition Toyen.
Since 2022, he has been developing a feature film in Ukraine and has been pursuing various projects with the writer Joanna Dunis and the sound artist Alejandro Van Zandt-Escobar.
For the 2025/26 season, he serves as documentary delegate at SRF.
The next screening of the film The Flag will take place on February 10 at Montpellier.
Festivals
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2026
Caméras Rebelles -
2024
Memorimage -
2024
Cinéma sous les étoiles -
2024
UnArchive Found Footage Festival -
2024
FIFDH -
2023
Festival des Libertés -
2023
Nuremberg International Human Rights Film Festival -
2023
États généraux du film documentaire -
2023
Movies that matter -
2023
One World -
2023
CPH DOX -
2021
IDFA Forum -
2018
LEFFEST -
2016
Rencontres du film documentaire de Mellionnec -
2016
Ethnografilm Festival -
2015
DocsDF -
2015
AVIFF -
2015
Tartu World Film Festival
By revisiting and reformulating a 1960s and 1970s New York experimental cinema practice that involved scratching film strips, I found a way to think about images at a pace not dictated by media temporality. The time and effort devoted to each image, the physical contact with them and the radical slowing down of their flow made me see them differently, restoring the power to think and to act.
Bomb magazine