An unexpected sight.
In the charming town of Asilah, a flock of birds.
Filmed in continuous motion, the camera turns with the flock, inscribing their circular flight above white rooftops and the sea until orientation yields to rhythm and duration. Anchored in rooftop pigeon keeping in parts of the Arab world, the film approaches this practice with a measured distance, where observation, repetition, and framing subtly reorganize the relation between bodies and space.
