«By revisiting and reformulating a 1960s and 1970s New York experimental cinema practice that involved scratching film strips, I found a way to think about images at a pace not dictated by media temporality.» About Joseph Paris → Read interview
«By revisiting and reformulating a 1960s and 1970s New York experimental cinema practice that involved scratching film strips, I found a way to think about images at a pace not dictated by media temporality.» About Joseph Paris → Read interview