Art-video for the adaptation to the Theatre, by Benjamin Lazar, of Chants de Maldoror by Lautréamont.

492 is a convulsive and undulating montage of 492 shots filmed in five different cities, supported by an evocative and penetrating soundtrack. This short film brings together distant places and times by weaving encounters and discordances within its sonic and visual frameworks, working with continuity and counterpoint to draw nearer what is distant in space.

Actor and director Benjamin Lazar, composer David Chaillou, choreographer Raphaëlle Delaunay and videographer Joseph Paris were inspired by the manuscripts of Champollion to evoke the life of the one who knew how to decipher the hieroglyphs.

A short film exhibited at the Museum of Modern Art of Paris as part of the exhibition 'Toyen, l'écart absolu from March 25 to July 24, 2022.

A year before covid, this live cinema experience on Youtube realizes in advance the paradox of a confinement that is not sheltered from view, as the images will serve to expose the private space to the eyes of all.

Screened images for Benjamin Lazar's show, imagined from the Renaissance masterpiece left unfinished by Marguerite de Navarre.

On the roofs of Asilah, pigeon breeding game. Each breeder must try to attract the pigeons of the others in order to make his flock grow.

Experimental documentary, a dissociation text-voice-image against the void of discourses.

Unexpected artistic collaboration with Antoine Moreau and Daniel Martin-Borret, a montage that brings together two poems that respond to each other, one of which is read by the viewer and the other by the narrator, in the opposite direction.